THE (OTHER) LINE
MIND IS AN ANTENNA
RUINS OF UTOPIA
BLACK & YELLOW
ARTIFICIAL LANDSCAPES
US
THE CITY AND THE BUILT SPACE, REAL AND SYMBOLIC, AS A FORCED ARENA FOR THE CONSTRUCTION AND STAGING OF SELF-IMAGE.
FLOOD
A WORLD THAT ADAPTS TO LIVING ON WATER IN WHICH THE TRADITIONAL IMAGE AND STRUCTURE OF BUILDINGS HAS STARTED TO UNDERGO A MUTATION AND TO INTEGRATE NATURAL AND ARTIFICIAL ELEMENTS TYPICAL OF AN AQUATIC WORLD SUCH AS ALGAE, MOSS AND NETS. A WORLD PARTLY DYSTOPIAN BUT SOMEHOW CAPABLE OF TRANSMITTING THAT SERENITY AND BEAUTY TRANSMITTED BY THE ELEMENT FROM WHICH ALL LIFE ORIGINATES AND WHICH CONSTITUTES THE MOST MATTER OF WHICH EVERY ANIMAL OR PLANT LIVING BEING IS MADE.​​​​​​​
GRAND TOUR ROMA
STARTING FROM PHOTOGRAPHS TAKEN TO DOCUMENT THE URBAN DEVELOPMENT OF THE CITY OF ROME, THE RELATIONSHIP BETWEEN NATURAL AND URBANIZED LANDSCAPE IS REPRESENTED BY REWORKING THE PICTORIAL ICONOGRAPHY OF NINETEENTH-CENTURY GRAND TOURS. THE IMAGE OF THE RUINS OF THE ARCHITECTURE OF ANCIENT ROME ISOLATED IN THE MAGNIFICENT LANDSCAPE OF THE ROMAN COUNTRYSIDE IS REPLACED BY THAT OF AN UNSTOPPABLE URBANIZATION CROSSED TODAY AS THEN BY GRAZING FLOCKS.
REFLECTIONS
THE REFLECTIONS SERIES IS FOCUSED ON THE THEME OF THE RELATIONSHIP BETWEEN PRIVATE AND PUBLIC SPACE AS A PHYSICAL AND PERCEPTUAL BOUNDARY AND AS A METAPHOR FOR EXISTENCE IN THE CONTINUOUS CROSS-REFERENCE BETWEEN SELF-PERCEPTION AND THE "OTHER'S GAZE."
THROUGH THE WINDOWS, REFLECTIONS AND CHIAROSCURO EFFECTS OF LIGHT AT SUNSET, THE BOUNDARIES BETWEEN THESE REAL AND MENTAL SPACES BLUR, RETURNING A COMPLEX IMAGERY AS THE STAGING OF EXISTENCE IN THE CONTEXT OF SOCIAL RELATIONS WITHIN THE URBAN CONTEXT IN WHICH 55 PERCENT OF THE WORLD'S POPULATION IS CONFINED AND WILL REACH 70 PERCENT IN THE NEXT 10 YEARS​​​​​​​
INSIDE OUT
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